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The Stranger I

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DESCRIPTION

The Stranger I? is an incarnation of the fire principle. He commands a beach on which he
appears to have only just made landfall, its drifts of marbled sand pricked with clumps of
agave. His robe, seemingly made of flame, billows around him like a sail or canopy. Red
and amethyst mountains rise up behind him, breakers frozen in mid-surge, and the radiant
cloud that serves him as backcloth also invests him with effulgence. The genealogy of this
magisterial figure includes Botticelli?s Venus arising from the ocean as well as the risen
Christ immortalised by numerous Gothic, Renaissance and Baroque interpretations of the
sacred theme of the Resurrection. ?The Stranger I? also draws upon the Bengal School?s
dream-like evocations of the Bodhisattvas of Ajanta. A sumptuous yet sombre phantasm,
he takes his place in the gallery of ?visitants? that Sabavala has painted since the 1980s.
They arrive robed in radiance and mystery, emissaries from other worlds, other planes
of consciousness.

Artist Name

Jehangir Sabavala

Width

610 mm - 24 inches

Height

610 mm - 24 inches

Medium

Serigraph

Edition

Edition Size 125

About the Artist

Jehangir Ardeshir Sabavala (1922 - 2011) was born to an affluent Parsi family in Bombay (now Mumbai). His mother belonged to the aristocratic Cowasjee Jehangir family. He earned a diploma from Mumbai's Sir J. J. School of Art in 1944. Thereafter he went to Europe and studied at the Heatherley School of Fine Art, London, Academie Andre Lhote, Paris Academie Julian (1953?54), and finally at the Academie de la Grande Chaumiere in 1957. Since 1951, he has held 31 major solo exhibitions across the subcontinent, and in Europe. He has participated in more than 150 group exhibitions all over the world. His work is in several important private and public collections, such as the National Gallery of Modern Art, New Delhi, Birla Academy of Fine Arts, Calcutta, Parliament House, New Delhi, The Punjab Government Museum, Chandigarh, Air India Mumbai, Tata Institute of Fundamental Research, Mumbai, The National gallery of South Australia, Adelaide.

About the Art form

A Serigraph is a rendition of an original artwork created by the silk-screen printing process. In the past, the silk-screen printing process used a stencil to create the print of an image or a design. Stencils were used for centuries in the Orient to make fine art prints as well as craft items, fabrics, robes, scriptures and various decorative goods. In Europe, the stencilling technique was adopted by craftsmen for mostly utilitarian purposes. Stencils were also used to add colour to playing cards and religious pictures printed with wood blocks. By 17th century, the technique was being used to print ornate wallpapers. And by late 18th century, stencil printing had made its way to the New World but it was not until the early 20th century that screen printing was started to be used as an artistic medium. The creation of a serigraph is a very labour-intensive hands-on artistic procedure that requires many weeks to be completed. Before the printing process is started, the artist who created the original image is consulted. Sometimes the artists like to make changes when printing the edition - treating the print as an original rather than a reproduction of an already existing image. At times, even a few changes in the image or the emphasizing of certain colours or design elements can create a dynamic new image.

Year

2007
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