DESCRIPTION
This fascinating map includes exceptional detail in the map and excellent survey of the coordinates of 20 major cities, including Malacca, Canton, Macao, Pekin and Siam. Sincapour is named, with a fine detailed treatment of the Straits. Within the map, there are several interesting annotations, including a note showing the location of Sancham (Sancian), where St. Francis Xavier died in December 1552.
Edition
Open Edition
Specifications
This is a high-quality fine art reproduction of original rare map printed on the enhanced matte archival paper, printed with archival inks. The frames used are 20 mm high quality synthetic wood box frames. The mount used is 1.2 mm matt finish. The print is protected with 2.00 mm float glass. To make it sturdy, a special board is used for the rear panel. Hangers are included on the rear panel.
About the Art form
The earliest maps were generally printed from a wooden block which had been cut in relief (the printed area standing out from the rest) and then inked. This type of map can be seen in the work of Munster (c1550) among others. Most of these maps were never coloured.
Copper and steel engravings form the vast majority of antique maps that can be found today. In this process the image was cut, in reverse, into the metal plate which was then inked, placed with a sheet of paper in a press and the ink in the grooves would produce the image.
Copper, a softer metal, in common use from the early 1500?s until about 1820, would produce relatively few maps before having to be beaten out and re-engraved. Steel was introduced in the early 1800?s and quickly replaced copper because finer lines could be engraved, and far more maps printed on this harder metal. Nearly all engraved maps dated after 1830 were produced on steel.
Surface printing or lithography also started in the early 1800?s and allowed the artist or mapmaker to draw directly on to a specially prepared stone. This was cheaper and faster (no engraver was needed) but most lithographic maps have a fuzzy quality which does not endear them to many. This method can be used with several colours (each colour needs a separate stone).
By the late 1880?s modern machine lithography and printing were taking over and maps lost their decorative quality.
The earliest maps were generally printed from a wooden block which had been cut in relief (the printed area standing out from the rest) and then inked. This type of map can be seen in the work of Munster (c1550) among others. Most of these maps were never coloured.
Copper and steel engravings form the vast majority of antique maps that can be found today. In this process the image was cut, in reverse, into the metal plate which was then inked, placed with a sheet of paper in a press and the ink in the grooves would produce the image.
Copper, a softer metal, in common use from the early 1500?s until about 1820, would produce relatively few maps before having to be beaten out and re-engraved. Steel was introduced in the early 1800?s and quickly replaced copper because finer lines could be engraved, and far more maps printed on this harder metal. Nearly all engraved maps dated after 1830 were produced on steel.
Surface printing or lithography also started in the early 1800?s and allowed the artist or mapmaker to draw directly on to a specially prepared stone. This was cheaper and faster (no engraver was needed) but most lithographic maps have a fuzzy quality which does not endear them to many. This method can be used with several colours (each colour needs a separate stone).
By the late 1880?s modern machine lithography and printing were taking over and maps lost their decorative quality.
The earliest maps were generally printed from a wooden block which had been cut in relief (the printed area standing out from the rest) and then inked. This type of map can be seen in the work of Munster (c1550) among others. Most of these maps were never coloured.
Copper and steel engravings form the vast majority of antique maps that can be found today. In this process the image was cut, in reverse, into the metal plate which was then inked, placed with a sheet of paper in a press and the ink in the grooves would produce the image.
Copper, a softer metal, in common use from the early 1500?s until about 1820, would produce relatively few maps before having to be beaten out and re-engraved. Steel was introduced in the early 1800?s and quickly replaced copper because finer lines could be engraved, and far more maps printed on this harder metal. Nearly all engraved maps dated after 1830 were produced on steel.
Surface printing or lithography also started in the early 1800?s and allowed the artist or mapmaker to draw directly on to a specially prepared stone. This was cheaper and faster (no engraver was needed) but most lithographic maps have a fuzzy quality which does not endear them to many. This method can be used with several colours (each colour needs a separate stone).
By the late 1880?s modern machine lithography and printing were taking over and maps lost their decorative quality.
Provenance
From the Prshant Lahoti Collection, part of Kalakriti Archives, Hyderabad. A private archive comprising of collection of historical maps, photographs, and popular prints of Indian Sub-continent.
Enquire now
Add a few details about your requirements to get relevant quotes
Les Indes Orientales Sous Le Nom De Queles Est...
This fascinating map includes exceptional detail in the map and excellent survey of the coordinates of 20 major cities, including Malacca, Canton, Macao, Pekin and Siam. Sincapour is named, with a fine detailed treatment of the Straits. Within the map, there are several interesting annotations, including a note showing the location of Sancham (Sancian), where St. Francis Xavier died in December 1552.
| Edition |
Open Edition |
| Specifications |
This is a high-quality fine art reproduction of original rare map printed on the enhanced matte archival paper, printed with archival inks. The frames used are 20 mm high quality synthetic wood box frames. The mount used is 1.2 mm matt finish. The print is protected with 2.00 mm float glass. To make it sturdy, a special board is used for the rear panel. Hangers are included on the rear panel. |
| About the Art form |
The earliest maps were generally printed from a wooden block which had been cut in relief (the printed area standing out from the rest) and then inked. This type of map can be seen in the work of Munster (c1550) among others. Most of these maps were never coloured.
Copper and steel engravings form the vast majority of antique maps that can be found today. In this process the image was cut, in reverse, into the metal plate which was then inked, placed with a sheet of paper in a press and the ink in the grooves would produce the image.
Copper, a softer metal, in common use from the early 1500?s until about 1820, would produce relatively few maps before having to be beaten out and re-engraved. Steel was introduced in the early 1800?s and quickly replaced copper because finer lines could be engraved, and far more maps printed on this harder metal. Nearly all engraved maps dated after 1830 were produced on steel.
Surface printing or lithography also started in the early 1800?s and allowed the artist or mapmaker to draw directly on to a specially prepared stone. This was cheaper and faster (no engraver was needed) but most lithographic maps have a fuzzy quality which does not endear them to many. This method can be used with several colours (each colour needs a separate stone).
By the late 1880?s modern machine lithography and printing were taking over and maps lost their decorative quality.
The earliest maps were generally printed from a wooden block which had been cut in relief (the printed area standing out from the rest) and then inked. This type of map can be seen in the work of Munster (c1550) among others. Most of these maps were never coloured.
Copper and steel engravings form the vast majority of antique maps that can be found today. In this process the image was cut, in reverse, into the metal plate which was then inked, placed with a sheet of paper in a press and the ink in the grooves would produce the image.
Copper, a softer metal, in common use from the early 1500?s until about 1820, would produce relatively few maps before having to be beaten out and re-engraved. Steel was introduced in the early 1800?s and quickly replaced copper because finer lines could be engraved, and far more maps printed on this harder metal. Nearly all engraved maps dated after 1830 were produced on steel.
Surface printing or lithography also started in the early 1800?s and allowed the artist or mapmaker to draw directly on to a specially prepared stone. This was cheaper and faster (no engraver was needed) but most lithographic maps have a fuzzy quality which does not endear them to many. This method can be used with several colours (each colour needs a separate stone).
By the late 1880?s modern machine lithography and printing were taking over and maps lost their decorative quality.
The earliest maps were generally printed from a wooden block which had been cut in relief (the printed area standing out from the rest) and then inked. This type of map can be seen in the work of Munster (c1550) among others. Most of these maps were never coloured.
Copper and steel engravings form the vast majority of antique maps that can be found today. In this process the image was cut, in reverse, into the metal plate which was then inked, placed with a sheet of paper in a press and the ink in the grooves would produce the image.
Copper, a softer metal, in common use from the early 1500?s until about 1820, would produce relatively few maps before having to be beaten out and re-engraved. Steel was introduced in the early 1800?s and quickly replaced copper because finer lines could be engraved, and far more maps printed on this harder metal. Nearly all engraved maps dated after 1830 were produced on steel.
Surface printing or lithography also started in the early 1800?s and allowed the artist or mapmaker to draw directly on to a specially prepared stone. This was cheaper and faster (no engraver was needed) but most lithographic maps have a fuzzy quality which does not endear them to many. This method can be used with several colours (each colour needs a separate stone).
By the late 1880?s modern machine lithography and printing were taking over and maps lost their decorative quality. |
| Provenance |
From the Prshant Lahoti Collection, part of Kalakriti Archives, Hyderabad. A private archive comprising of collection of historical maps, photographs, and popular prints of Indian Sub-continent. |
| BlogId |
103 |
