DESCRIPTION
According to the Puranas, the Ganga River is India's most revered river. Ganga Maa or Ganga Ji is the names given to it. Indians have the view that a dip in the Ganges' sacred waters cleanses them of all of their previous transgressions. Along the river, there are many pilgrimage sites, including those in Allahabad, Rishikesh, Haridwar, Varanasi, and Patna. In ritual cleansing, water from the Ganga is utilized to purify any space or item. The term "Ganga" is often used to refer to holy and clean water.
The painting showcases Ganga, sitting on her crocodile vehicle. The upside down elephant on her left and Brahmin priest at her right reflects an iconographic convention.
GST |
12% |
Color |
Black Frame |
MediumType: |
Paper |
Mount: |
Black Mount |
Variable: |
Acrylic |
Artist Name
Unknown
Width
300 mm - 11.81 inches
Width Range
Less than 610 mm - 24 inches
Height
446 mm - 17.55 inches
Height Range
Less than 610 mm - 24 inches
Medium
Original : Water Colour on Paper
Edition
Open Edition
Specifications
This is a high-quality fine art reproduction of original rare vintage painting, printed on enhanced matte archival paper with archival inks.
The frames used are high quality synthetic wood box frames or Aluminium frames. The print is protected with either 2.00 mm float glass or acrylic sheet as selected. To make it sturdy, a special board is used for the rear panel and hangers are included on the rear panel.
About the Art form
Kalighat painting, an entirely distinct genre of Indian painting that emerged in the 19th century in Kolkata (formerly Calcutta), West Bengal, is characterized by its vibrant colours and sharp contours.
The portrayal of gods and other mythical people in these paintings evolved over time to reflect a variety of topics. These mediocre pieces of art were created by Kalighat patuas (painters) to make a living by selling to a large audience.
As Kolkata grew into a bustling and successful industrial port city, migrants began to arrive in search of better prospects. Among them were numerous artists, crafters, and painters from across India, including patuas, members of a West Bengal artisan community. With its regular swarms of pilgrims, Kalighat would have been an ideal location for local artists to create and sell modest, inexpensive religious gifts.
The patuas abandoned their linear, narrative style in favour of single drawings containing one or two individuals, influenced by the various art styles surrounding them and with a desire to produce swiftly. The backgrounds were left plain, all non-essential elements were deleted, and basic colour combinations were chosen. The arrival of cheaper prepared paints and mill-made paper from Britain additionally contributed to patua productivity.
Framing
With Framing
Year
Late 19th Century